history repeating : A ryan chang Reel

‍ ‍‍ ‍ORIGINAL FILMMAKING, CINEMATOGRAPHY, EDITING, COLOR, VFX & UNREAL BY RYAN CHANG — COMMISSIONED & COLLABORATIVE WORK: PORTFOLIO

right here, Right now

FILMMAKING · CINEMATOGRAPHY · EDITING · COLOR · FINISHING

Award-winning cinema and post-production by Ryan Chang / gemini film studios

SELECTED FRAMES

Thoth

a film for your nervous system

a film by ryan chang

INTernational Avant-Garde Awards, 2025 — Only U.S. Winner.

inTERNATIONALLY RECOGNIZED ACROSS VISUAL EFFECTS, CINEMATOGRAPHY, COLOR GRADING & DIRECTING

Moon in scorpio

THE ECLIPSE TRILOGY

THE ECLIPSE TRILOGY FOLLOWS THREE CONFRONTATIONS WITH WHAT KEEPS US TRAPPED: MOON IN SCORPIO THROUGH THE PAIN OF SHATTERED ILLUSION; THOTH THROUGH COMPULSIVE LOOPS AND ESCAPE; AND PISCES RISING, A PSYCHOLOGICAL THRILLER WHERE DESIRE, AUTHORITY, AND SELF-POSSESSION COLLIDE.

thoth

MOON IN SCORPIO AND THOTH WERE CREATED AS STANDALONE PREQUELS AND PRACTICAL TESTS FOR PISCES RISING — TESTING ITS VISUAL LANGUAGE AND TECHNIQUES WHILE BUILDING HANDS-ON COMMAND ACROSS THE FILMMAKING PROCESS FOR THE FEATURE.

Pisces rising

FEATURE FILM — IN DEVELOPMENT

ryan chang — Blackmagic design certified


DAVINCI RESOLVE — EDITING · COLOR GRADING · FAIRLIGHT AUDIO · FOUNDATIONS

VIEW PORTFOLIO FOR CREDENTIALS & AWARDS →

WORK WITH GEMIni

AVAILABLE FOR CINEMATOGRAPHY & END-TO-END POST-PRODUCTION — EDITING, COLOR GRADING, SOUND, FINISHING & DCP DELIVERY — FOR NARRATIVE, DOCUMENTARY, COMMERCIAL & EXPERIMENTAL PROJECTS.

SERVices

Testimonials

CLIENTS ON WORKING WITH RYAN CHANG

“His editing work transformed raw footage into something mythic and magnetic.”

— Chris Dixon

“HE DELIVERED EVERYTHING FROM THE WEB EDIT TO THE THEATRICAL DCP ON SCHEDULE — PATIENT, RESPONSIVE, AND TECHNICALLY SKILLED.”


- Vinay Chandra, Director 

“THE VIDEO RYAN CREATED WAS A MASTERPIECE. THIS PIECE OF ART WAS SO COMPELLING, SO BEAUTIFUL AND PERSONALIZED TO ME.”

-Aaron Buchanan

WHY DOES AN IMAGE HIT?

FE!N and the Collective Unconscious is a look inside the way I think about filmmaking—using experimental and structural cinema, symbolism, subjective point of view, and Jungian psychology to explore how images can carry psychological meaning before we consciously decode them.

THE DEEPER ARCHITECTURE IS THERE SO THE IMAGE HITS HARDER—NOT SO THE VIEWER HAS HOMEWORK TO DO.

Whether I’m trimming a tracking shot, shaping a documentary about putting art on the Moon, building an experimental film from thousands of images, or designing a feature, the same question runs underneath the work:

WHAT DOES THE AUDIENCE FEEL, AND HOW CAN IMAGE, CUT, SOUND, COLOR AND RHYTHM MAKE THAT EXPERIENCE STRONGER?

THE WORK THROUGHOUT THIS SITE IS THE PRACTICAL RESULT OF THAT WAY OF THINKING.

FOR A DEEPER LOOK AT HOW I THINK ABOUT IMAGES, WATCH: FE!N AND THE COLLECTIVE UNCONSCIOUS ↓